The XP3BIO - Instructions for Assembly and Use


Thank you and congratulations on becoming the owner of my Cross Polarizing Photography Platform for Birefringence Imaging and Observation (XP3BIO). Your model is the new and improved version and your device is number 1 of 10 in this very limited model. You cannot, to the best of my knowledge, purchase one of these viewers anywhere else on the planet!

The viewer fully assembled and ready to use


This version of the platform represents a significant improvement over the first model in several ways. The viewer is smaller and lighter, but with a larger viewing area. It is designed to be used both in the horizontal position. With a new 1/4” 20 TPI mounting point, it can be secured to an articulating arm and positioned in almost any orientation. It is intended for viewing and/or photographing birefringent crystals grown on microscope slides and such slides can be locked into position on the specimen cassette to ensure they do not move or fall from the cassette during use. It contains a powerful light source and two layers of high quality linear polarizing material, along with a built-in diffusion layer and an empty filter cassette for addition of an optional retarder (wave plate), useful for viewing weakly birefringent material. I have included a brand new power supply, matched to the current requirements of the viewer. As an added bonus, I have prepared a sample slide (Acetanilide and ascorbic acid in methyl ethyl ketone) and installed it in the viewing position on the yellow specimen cassette. In the next section I will explain the purpose of each level and provide detailed instructions on how to use the device.

The colors are all wrong but fusion is not letting me change them


The viewer is made up of 4 separate levels, held in place by a cap ring secured with a pair of thumbscrews. The cap ring and levels 2-4 can be removed from the base (level 1) by removing the thumbscrews. Each level can only be mounted in one rotational orientation - do not try to force a level into the assembly without aligning the side pins with the receiving grooves on the  upright extensions from the base.

The cassettes, in levels 2, 3 and 4 are freely rotatable through 360º by inserting the point of  pen or pencil through the groove on the side of each level to engage with the  circular depressions around the cassette perimeter. Each level and the cassette corresponding to that level are color coded and numbered. They should always be mounted onto the base (level 1) in the same order (2-3-4-Cap Ring).






Level 1 - the base layer - really black, not green

Level 1 - the base layer - color black - this layer contains the light source, wiring, 12V power socket and switch. When plugged in to the 12 volt power supply, the device is activated by showing the red switch. The Base Level also contains a cassette that holds a layer of diffusion filter material below and a layer of linear polarizing filter material above. The black cassette in the base is not accessible during use and it is not necessary to rotate this cassette during use. Avoid handling the level 1 cassette to prevent smudging, which could impact the quality of images photographed using this platform. This cassette may be removed to access the light source and wiring within the base layer. Not that the base layer has two vertical posts, with a brass insert at the top of each post. One post has a single square groove on its inward oriented face, while the other has a pair of round grooves on its inward facing surface. These grooves correspond to the vertical ridges visible on the perimeter of levels 2, 3, and 4. These insure proper orientation of the upper levels and prevent rotation off the level housings during rotation of the cassettes. The base level has a cubic prominence into which a brass thread insert has been installed. This allows for mounting of the assembled device on an articulating arm, which may be used to aid in positioning of the device during use. The insert accepts a standard 1/4”, 20TPI screw.

Actually pale blue, this is the 2nd layer, for a wave plate (optional)


Level 2 - the Retarder Level - Color Blue - this level is included for mounting an optional retarding filter or wave plate. The device is shipped without a retarding filter installed in the Level 2 cassette. A circular  retarding filter with a diameter of 100 - 102 mm, may be installed in the cassette and held in place by 2-3 drops of hot glue, or other adhesive. Make sure the glue has dried completely before installing the cassette in the level 2 housing - failure to do so may prevent rotation of the retarder plate during use. During normal use, this level and its cassette may be left empty. The addition of a wave retarder is not required for viewing the majority of common birefringent crystals.

Actually yellow - both the housing and the cassette

Level 3 - the  Specimen Level - Color Yellow - This level is designed to securely hold a glass microscope slide in one of two common sizes - 25mm x 75mm or 50mm x 75mm. The detents for each size slide are oriented perpendicular to each other, so that only a single slide may be mounted at a time.

Note the tiny retaining tabbe for each slide

At each end of the detents are either one or two tiny retaining tabs. To mount a specimen slide, the slide should be inserted beneath the paired tabs and lowered into the detent while gently squeezing the cassette on an axis perpendicular to the long axis of the slide. This will provide just enough clearance for the opposite end of the slide to fall into the detent, after which the lateral pressure is relaxed causing the single tab to engage with the slide, holding it firmly in position and preventing any movement of the slide during positioning or viewing. The slide is removed by gently squeezing the yellow cassette while raising one end of the slide (the end with a single tab) and pulling it forward, out of the slide holder. ***Care is required to avoid slide breakage. This cassette can also be rotated to adjust subject framing and composition.

Meant to be light gray - the second polarizer


Level 4 -  The Analyzer Level - Color Grey - This level is used to house the second polarizer in the system. It is this filter that is rotated to achieve the desired level of cross polarization (the first polarizer is fixed). This cassette is also rotated using the tip of a pen or pencil, inserted into one of the round depressions on the circumference of the  cassette. When the second polarizer is perfectly positioned, perpendicular to the polarizing axis of the first polarizer, all light will be extinguished except for that being refracted by the birefringent material. Note that this is the last layer at the top of the device and that it is prone to damage or the accumulation of dust and other debris. When not in use the device should be stored in a closed box to prevent damage to the polarizing film.

The top ring holds everything together


Level 5 - The Cap Ring - Color Black - this is not a functional level and serves only to secure all the lower  levels within the device, allowing it to be positioned in any orientation without movement of the component parts. The thumb screws must be used to secure the device when in use. I have recently replaced the original screws with much shorter fasteners that allow rapid entry to the stack and access to the slide cassette. There should be no reason to dismantle the levels except to change the subject slide. The slide cassette is easily accessible and can be removed simply by removing the Cap Ring and the Level 4 housing. It is not necessary to remove the Level 3 housing to  change the slide. Removal of the cassette will suffice.

A complex crystal photographed on the XP3BIO



Suggestions for use of the XP3BIO

  • Until you have some experience with the equipment, avoid using slides that still have unevaporated solvent present. Some of the solvents used could damage filters or the device itself.

  • Use only the provided 12 V power supply to avoid damage to the LED panel.

  • Do not over-tighten components attached to the brass insert on the front of the unit.

  • Never touch the filters - dirt and debris may lower image quality.

  • In some circumstances you may wish to further diffuse the light from the powerful COB light source. To do this cut a circle of 200mm diameter and place it on the shelf holding the Level 1 (base) filter cassette. Remember to remove when no longer needed.

  • Do not place anything other than a wave plate/retarding filter into the Level 2 (blue) cassette. A diffuser will lessen the effectiveness of the polarizing layer.

  • You may wish to add small rubber bumpers to the base and/or edge facings to prevent slipping.

  • Never leave the device turned on  when it is left unattended. I have tested each unit and the COB LED does not produce enough heat to effect the housing or filters. But it is prudent to err on the side of caution.

  • The device works better when the cap ring is in place and thumbscrews are secured - without this locking layer it is possible to encounter difficulties when trying to rotate cassettes. Rotating the housing with the cassette may make it more difficult to maintain a particular level of cross polarization.

  • To view a specimen, remove both thumbscrews and lif off the cap ring. Carefully pull up on the second polarizer level (Level 4) and remove the housing and the cassette with polarizing filter. Then carefully remove only the slide holder cassette, leaving the housing in place. Gently squeeze the sides of the cassette to release the slide from the retaining tabs. Position one end of the new slide under the double tabs, then squeeze the slide holder on each side of the slide to raise the tab slightly and allow the slide to drop under the single sealing tab. Return the cassette to the yellow Level 3 housing. Replace the Level 4 housing taking care not to touch the polarizing filter and making sure that the ridges on the perimeter of the housing engage with the slots in the upright Level 1 alignment posts. Replace cap ring and tighten the thunbscrews before placing the viewer under your microscope or on your photography platform. Use an articulating arm secured to the viewer at the square mounting post if you wish to use the viewer at an unusual angle. Turn on the viewer’s light with the small toggle switch. Carefully rotate the yellow subject level cassette to the desired orientation for your composition. Then rotate the Level 4 cassette to maximize the polarizing effect. If no wave plate is being used it should be possible to completely extinguish all light except that which is being redirected by the birefringent material on the specimen slide



total extinction of ambient light when polarizing layers are 90º out of phase

In closing, thank you for purchasing this device! I am thrilled that you have sufficient faith in my “maker” skills to part with some of your hard-earned monies to acquire an XP3BIO. If you are happy with the device, please tell your friends, but if you are not, please tell me. I have made many improvements to the original design, but I am perfectly willing to believe that there are many more still to be made. If you think of one, please let me know!


I hope you enjoy using this invention as much as I have and I hope to see many of your crystal images in the future.

Allan

More Color

With a little over a week left before the Christmas holiday is upon us, I find I have more to do than time to do it in. This is typically the season during which my inability to say “No, thank you” to demands on my time causes me more frustration than at other, less festive times of the year. Knowing this, it should have had no trouble saying “No, thank you” to the friend who called me at 8PM on Sunday and asked if I could help him out of a jam by organizing and cooking for a dinner party that had been scheduled for the next day, today, in other words. Monday is my busiest day of the week, the day I plan and write my livestream content, schedule my events, and get the week’s blog post published. I normally start at around 6AM and am done about 12 hours later. But, of course, I said I would be happy to help out - which I am, as my friend’s last minute emergency is a legitimate one, and I am a competent cook. The result is that this will be a brief post, with my apologies.


Last Saturday we enjoyed a lively discussion on the subject of Blend Modes in episode 12 of AfterStack. The conversation was led by Bud Perrott and you can find the recording on YouTube by following this link - https://youtu.be/BlULo1QMAW8


We kick things off this week with Macro Track on Tuesday at 8PM, with Chapter 3 of our 6 part discussion of Color in Macro Photography. In this episode we will look at how to use color in designing an image - in other words, we will consider how color in integrated into both composition and aesthetics. The question we will asking is how can color be understood and manipulated in order to create visually engaging images. To this end we will consider the psychology of color - how humans respond to certain colors. We will look into the practical applications of color theory - how to create balance and harmony in an image. Finally we will consider some practical applications of color theory - how to avoid color clashes, using depth of field in conjunction with color, and selecting the best backgrounds for an image. This is your link to Tuesday’s stream - https://youtube.com/live/yhPRixsIhSs?feature=share

On Thursday’s Macro Talk Too we will delve into the color workflow, or how we can make the most of color by accurate calibration and careful post-processing. We will talk about why calibration matters and the various tools we have for screen calibration. We will cover color profiles and color spaces - specifically, when and how to use them. Then we will get into post-processing and look at white balance and tone, selective enhancement with HSL and masking, and how to manage color noise while maintaining color accuracy and image fidelity at high magnifications. Your link to this stream is here - https://youtube.com/live/XR6ePF-Arok?feature=share


On Saturday, December 21st at 10AM our Pzoom Christmas Extravaganza will kick off with our first annual eggnog drinking competition followed by a presentation on “Close-up Photography of Flaming Christmas Puddings and Amateur Skin Grafting Tips for Eyebrow Burns”. Definitely not a Pzoom you will want to miss! The invitation is posted on the Patreon home page.


Immediately following Saturday’s Pzoom, at 12:30 to be precise, we will have our final Tangent 3D modeling session of 2024. I think Larry is going to be talking about the latest and greatest releases from the big 3D printer manufacturers, among other things - check the Tangent Channel over on my Discord Server for details. The invitation to this weeks Tangent is here - Allan Walls is inviting you to a scheduled Zoom meeting.

Topic: The Tangent - with Larry and Allan

Time: Dec 21, 2024 12:30 PM Central Time (US and Canada)

Join Zoom Meeting

https://us02web.zoom.us/j/6916802815?pwd=TS9tZi9ZL1NXeVUvOUF4eTg5YjdlZz09&omn=84337476098

Meeting ID: 691 680 2815

Passcode: 678122


As I have mentioned in the last few posts, I will be away from the studio next week and have been forced to cancel both of usual livestreams, So there will be no Macro Talk on Christmas Eve and no Macro Talk Too on Boxing Day. I will not have access to the internet on either day. I will try to get a post out on Monday, and if there are any changes to the holiday schedule, that is where you will find them.


There will be an AfterStack on Saturday December 28th at 10AM - It will be my turn to lead the discussion and I will be talking abut a couple of the commonly used color tools in Photoshop. The invitation is posted here, in case I do not get a chance to post it next week. Allan Walls is inviting you to a scheduled Zoom meeting.

Topic: AfterStack #13 - Color Tools

Time: Dec 28, 2024 10:00 AM Central Time (US and Canada)

Join Zoom Meeting

https://us02web.zoom.us/j/6916802815?pwd=TS9tZi9ZL1NXeVUvOUF4eTg5YjdlZz09&omn=86402510371

Meeting ID: 691 680 2815

Passcode: 678122

A final word about the competition - some people have been encountering difficulty posting their images for the November/December Wild Card Competition and it appears to be related to my website being over-quota from all the images submitted during the last few months. I am working to fix this today, so if you have had a problem uploading your images, please try again in a day or two, and check back before the end of the month to make sure your entries have been properly posted. I apologize for any inconvenience.

A busy week ahead! I hope to see you tomorrow!

Allan

Photographing Bees in Flight

Photographing Bees in Flight

Everything you ever wanted to know about photographing bees in flight from Australian macro photographer, Bruce Malcolm - Part interview, part tutorial, and a lot of fast talking!

Read More